Musicians are the first people to be asked for something for free. They are notoriously bad business people which makes them susceptible to bad deals. If the the day comes when there is money to be had as a result of your music. Everyone knows that on that day, there is often some deal being made with the devil and that devil is the RIAA. This letter to the editor in the Pittsburgh Post Gazette sums up a sentiment that I know a lot of musicians share.
...Sherman suggests that universities should remind users of "the necessity of responsible use of network resources." In my computer science class at Carnegie Mellon, "Introduction to Computer Music," I spend a little time doing just that. I teach students how, historically, the major recording labels have dominated the recording industry, refusing to record some of America's greatest artists, including Louis Armstrong. (His first recordings were manufactured by a former piano company in Indiana, which was sued by the major labels of the day for patent infringement.) Mr. Sherman, is this an example of "a climate where creativity is valued" that you are seeking?...
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Comments
Re: The RIAA and lawsuits, it's hard to feel bad
Duncan,
Great find on this article. Brought up some points I did not know. Keep on digging these up for us.
dougo
"To live on the land, one must learn from the sea.'
Jacques Yve Cousteau.........
Re: The RIAA and lawsuits, it's hard to feel bad
People have been playing music for thousands of years; see for example these Chinese flutes, 9000 years old, made of hollow bird bone, or this Neandertal cave bear bone flute, between 43,000 and 82,000 years old, which though incomplete, has holes that match with 'Mi Fa Sol La' (see article).
Point is, though, that people do not need the incentive of fame and fortune to make music; they would do it anyway, it being a deep human function; all the excuses the RIAA gives for needing to perpetuate commercial monopoly are bull.
See also this great article, Against Intellectual Property.
Let me quote three paras from the article:
" Getting rid of intellectual property would reduce the incomes of a few highly successful creative individuals, such as author Agatha Christie, composer Andrew Lloyd Webber and filmmaker Steven Spielberg. Publishers could reprint Christie's novels without permission, theatre companies could put on Webber's operas whenever they wished and Spielberg's films could be copied and screened anywhere. Jurassic Park and Lost World T-shirts, toys and trinkets could be produced at will. This would reduce the income of and, to some extent, the opportunities for artistic expression by these individuals. But there would be economic resources released: there would be more money available for other creators. Christie, Webber and Spielberg might be just as popular without intellectual property to channel money to them and their family enterprises.
The typical creative intellectual is actually worse off due to intellectual property. Consider an author who brings in a few hundred or even a few thousand dollars of royalty income per year. This is a tangible income, which creators value for its monetary and symbolic value. But this should be weighed against payments of royalties and monopoly profits when buying books, magazines, CDs and computer software.
Many of these costs are invisible. How many consumers, for example, realise how much they are paying for intellectual property when buying prescription medicines, paying for schools (through fees or taxes), buying groceries or listening to a piece of music on the radio? Yet in these and many other situations, costs are substantially increased due to intellectual property. Most of the extra costs go not to creators but to corporations and to bureaucratic overheads