Yeah this should be great! Going to be interesting to see how many hours they run each day and how they break it up.
But this special has been over a year in the making so it has all the makings of a home run. Excited to hear some of his college tapes and anything from his younger years that Ben recorded of him as a kid.
We need something to get us through their 3 week holiday break.
wow this is really good so far. I always dread when they are on vacation but this morning on my drive in I was riveted by the special. Really well done. It's interesting to listen to such long form radio programming. I haven't heard anything like this before.
I'm not a fan of Howard Stern, so my only angle of support for him is in regard to freedom of speech/anti-censorship.
Can you guys elaborate on your excitement about this? I mean, are you excited for the quality of the documentary, the fascinating story, or is it about ol' Howie himself?
I promise not to play "bad cop" on this one. I'm really just curious.
Matt wrote: I'm not a fan of Howard Stern, so my only angle of support for him is in regard to freedom of speech/anti-censorship.
Can you guys elaborate on your excitement about this? I mean, are you excited for the quality of the documentary, the fascinating story, or is it about ol' Howie himself?
I promise not to play "bad cop" on this one. I'm really just curious.
it's a few things; Normally when the show goes on vacation like they are right now, they play old shows. It's not the best, and it's typically when I tune to some music or turn on my iPod. The documentary is interesting for me because it is a very detailed and very well produced retrospective. It is not often, if at all, that you can hear radio that is this long form, each act is about 5 hours long. From just the perspective of someone that likes documentaries it is great. When you add in the significant things that he has done with the medium, it becomes even more interesting. The way the documentary is produced is that they take present day dialog from people that were involved in the history (teachers, grade school friends, college professors, first girlfriend, other dj's) and mix it in with the 30+ years of tape they have where Howard is referencing the stories. The whole thing is produced with music in the background to reflect the time period and a narrator to help you follow along.
Another reason I like it is because I am a huge fan of Howard. Unlike a comedian who tells a joke, the audience laughs and you pass a judgment on whether or not they are any good, Howard is a joke best digested over a long period of time. For me that period of time has been since 1994 when he came on WBCN at night. The more that you listen the funnier the show becomes. There are references and jokes that take place over the course of weeks. It isn't as instantly gratifying as a sitcom or even a typical morning show. Tuning in for a minute here and there just doesn't do it justice.
And another thing that is excellent about the HOW, is that I find it endlessly entertaining to listen to pop culture from the past. Stories about Steve Perry being a dick to him in 1980 in Detroit and parties at a hotel with Van Halen are hysterical, and they have all of that tape. They mix it in with recent commentary on it and the originals.
So far, I am really enjoying it, Act Two is on today.
As a long time hard core fan of The Show I echo Duncan's sentiment.
This special pretty much provides an in depth and detailed retrospective of the King of All Media from his grade school years to present day. As Duncan mentioned the format they are using is quite nice, interweaving stories that Howard has told in the past on air and adding another layer of depth to them by interviewing those who were there such as his gradeschool friends and the guys he went to Camp Wel-Met with.
Today's episode has had some great stories about his early days in radio at WRNW in Westchester NY and his first days doing morning drive at WCCC in Hartford.
In what other medium can there be a 15 or 20 hour special run over the course of a week that chronicles the career of someone like Howard? YOu might see a two hour special on A&E's Biography, but nothing on this scale.
The fact that Howard owns all his old tapes makes something like this possible.
Also the fact that this special shows how much he struggled to break into radio in his early years and the number of people who told him he had no chance to succeed is a modern day success story that is hard to rival.
I've always been really offended by his Mook personality, trotting out porn stars and stuff.
This led to a conversation with a friend about whether Frank Zappa is any different from Howard Stern. There's a lot of common ground, but some differences, too (I think).
Anybody? Who are other borderline skanks/geniuses? GG Allin? Red Hot Chili Peppers? Aerosmith? Rolling Stones? Duncan?
Matt wrote: I've always been really offended by his Mook personality, trotting out porn stars and stuff.
This is a common misconception made by people that really haven't listened to him for any length of time. It's the unfortunate consequence to this style of broadcasting. People tune in for a half hour, it happens to be one of the fart joke segments or trotting out porn stars and tune out. The judgment is made and away they go. I don't see him as simple as that. If it was porn stars and fart jokes, I would get bored too. It's porn stars and fart jokes and some of the best interviews and most poignant dialogs I have heard cut in with the longest qweef contest. It's more diverse that people give it credit for.
I don't align myself with Howard or his crews opinions but I respect that they are willing to give them.
Quote:
This led to a conversation with a friend about whether Frank Zappa is any different from Howard Stern. There's a lot of common ground, but some differences, too (I think).
Anybody? Who are other borderline skanks/geniuses? GG Allin? Red Hot Chili Peppers? Aerosmith? Rolling Stones? Duncan?
who could you really compare Howard to? Frank Zappa wrote music. Who does this type of long form humor?
Matt wrote: Now it's you who is assuming that I was assuming. I paid attention.
I assumed that you weren't paying attention and still think you weren't because you believe that his show is about strippers. I don't want to make him out in to more than he is here, but his show is endlessly entertaining to me and it's so unique that nobody can give me a reasonable comparison for what he does. I appreciate a lot of humor, David Sedaris reading a book about his life is just as funny to me as Howard Stern broadcasting his life 5 hours a day.
Quote:
As for the Zappa comparison, I know that their mediums were different, but much of their crude manner, and free speech platitudes were the same.
I like Zappa and I don't like Stern, but the reasons are somewhat contradictory, I fear.
I don't Zappa well enough to speak about the comparisons.
Matt and Duncan are like the fire and ice on this thread--I'm going to be the lukewarm water.
I am a late-night person, and sometimes fall into the habit of watching late-night shows for long periods of time before I move on. For a period of like six months, I watched the Rush Limbaugh television show, back when it was on, and found it fascinating and repulsive to try and fathom the mind of that fat moron. I did a similar thing with the Howard Sterm TV show for a few months.
Maybe the TV show was different than the radio show, but there were a lot of porn stars, strippers, etc. on there, not to mention people Howard just wanted to make fun of. I wasn't all that enthralled by any of that. However, I did keep watching, and there were occasionally poignant or insightful or interesting segments, which is I supposed what drew me back every night. Maybe listening to him on a more regular basis would reveal more of that stuff, but eventually I found that the amount of worthwhile stuff wasn't enough to keep me watching for the entire show.
Sincerely, Derek Smalls Composer of "Free-Form Jazz Odyssey"
I did a similar thing with the Howard Sterm TV show for a few months.
Maybe the TV show was different than the radio show, but there were a lot of porn stars, strippers, etc. on there, not to mention people Howard just wanted to make fun of. I wasn't all that enthralled by any of that. However, I did keep watching, and there were occasionally poignant or insightful or interesting segments, which is I supposed what drew me back every night. Maybe listening to him on a more regular basis would reveal more of that stuff, but eventually I found that the amount of worthwhile stuff wasn't enough to keep me watching for the entire show.
The E! show, which has been off the air for a couple years now, was produced by E! and took the elements of the show that they felt would get them the highest ratings. The 22 minutes they took of a 4 hour radio show were the more titillating parts. It's not indicative of what the show is like at all.
The show takes a certain amount of time invested before it can be truly judged.
I'll agree with Duncan. The porn star stuff runs almost the same formula everytime (history of molestation or divorce, lesbian story, sybian ride) and that gets old fast, but what seals it for me is the way he gets people to say stuff they would never say (like when he got McCartney to admit that Yoko went to seek him out first and Macca pawned her over to John) or the AMAZING interview with Daryl Hall a couple weeks ago.
Also, I love the staff. Artie, Robin, Sal, Richard, all add something to the show. They bring their real lives into the show, and they all goof on that.
The usual callers are hilarious too, like High Pitch Eric, Eric the Midget, and my all time favorite, Crazy Alice.
It's like one huge joke, with reality firmly in place.
I missed yesterday's program, but what I heard today was fantastic. It is so well-done.
To add to the "why do I like Howard" sentiment, I think a lot of it has to do with the fact that I've been listening for so long and I know the show so well that it's sort of like an extended part of my family. I know that sounds totally retarded, but it's the same reason that I like to listen to Car Talk on the weekends.
I think Howard gets a bad rap for all of the outrageous stripper crap and the Fartman stuff. I could take or leave any of that stuff, but it's the fantastic interviews that I like, the dynamic between the whole crew, some of the bits that they do are actually really funny.
It seems that any time Howard does something mainstream, like going onto a late-night talk show, he is always the "over-the-top" shock-jock persona that the non-listeners think he is all the time, and don't like. Personally, I don't like that persona either and I am usually dissapointed with his TV appearances. I can't see any non-believer becoming a fan after seeing him on TV.
At the same time that I love the Stern show, I don't like Bubba. I never liked Opie and Anthony. I won't say that they're not funny, but because I never really listen to them, I just can't see that I'd like them. I would have never thought I would like Howard either. I just did.
The Zappa/Stern debate is kind of the same thing. I am only familiar with the few Frank Zappa songs that I'm familiar with, and I only really know him through the Joe's Garage trilogy. I think it got me through puberty, actually. In hindsight, I can't listen to any of that "shocking and dirty for humor's sake" Zappa stuff, as it reminds me of bad 70's porn magazines. Kinda juvenile and stupid. That's how people who don't really listen to Howard think he is. So that sort of proves the point that you either give him a chance and get on board, or you don't and you think he's a juvenile pig.
You're really missing out on Artie Lange, though!
I also wanted to add that Howard's interviews are so unique because he comes from a totally different angle than any other mainstream interviewer. His sports figure interviews are fantastic because he's not a sports fan and he gets these people off their guard and they talk about far more interesting stuff (in my opinion) than what you hear in every other interview. Some of my favorite interviews really changed my mind about certain people. Pretty much all of his interviews are like that. Paul Anka, Sting, Artimus Pyle from Lynyrd Skynyrd, Baby Spice, Lisa Loeb, Daryl Hall, etc. Very interesting interviews. His musical guests are often incredible too. I have a totally huge amount of respect for Pat Monahan from Train after hearing him sing on Howard. Same for Stone Temple Pilots and Hum who both did amazing renditions of songs I might not have cared for otherwise. The Daryl Hall interview a month ago was killer, and the music they played, just him and bass player, T Bone Wolk playing acoustic guitar was really great. I was very impressed. Tommy Shaw and Jack Blades even seemed cool when they were on recently.
I can totally see why non-listeners wouldn't care to invest the time into going out of their way to listen, and I don't blame them. It's probably the same reason that I don't care about reading Harry Potter books or listen to Frank Zappa.
As another sidenote, I couldn't be happier with Sirius! I barely ever listen to "terrestrial" radio, and usually only to tune in to WBZ for the news.
thanks for soem new perspectives on a guy I had locked as a clown. I, too, like Jim, mostly saw him on TV, though I tuned into BCN a couple of times, too. I guess, in general, I don't like radio talk shows anyway. My wife tunes into talk radio, and whenever I get in the car, within minutes I'm screaming back at these guys. Two belligerent fools can't very well hold a decent conversation.
I especially liked how you guys commented on longevity - a conversation with the artist - that helps you to overlook certain unflattering traits, much like you would with a friend.
I love Zappa and have heard all his brilliance, so I can overlook the rtasteless, sexist stuff. With Wilco, I can forgive Tweedy's occasionally terrible rhymes and other gaffs, because I'm on board with the bigger picture.
And, Duncan, that's where the Dead come in for me. I hear all the huge, too-often mistakes, but that isn't their point. And, yes, like Roger said, I went in when the window opened, and others I know didn't.
Some people find it strange that I'm not a Howard fan, but I'm not.
When he locally debuted nights (and was number one rated at least once -- in PROVIDENCE) I checked him out and simply didn't hear anything I liked. I had the preconceived notion about the strippers and whatnot, heard a couple of times that he took the really easy way out with disagreeing callers, caught a very pretentious air about him, and couldn't stand not having the immediacy of a live show.
Later that year, I started interning for Liz Wilde and she was a huge fan -- many nights we were doing show work and we had to wait for her to finish listening to a Howard bit.
From there, it was probably 200 times too many from my parents' friends and friends' parents that I heard "You're gonna be the next Howard Stern." when they found out about my career plans. Trailblazer that he was and is, I was just gonna be the first me. I didn't seek him out on purpose from there, and at first I didn't know why. In the past year or so I read somewhere that Kevin B from WAAF doesn't listen to other morning shows -- something about if he doesn't hear something, he can't rip it off.
Of course, that was when I thought I'd be steadily employed and in a position to do new things with the medium myself. I've developed an appreciation for (and somewhat jealousy of) anyone in radio who can stand up for themselves ... ANNNNNNDD keep popping up in new gigs.
That said, I loved a couple of his books that I've found around the house or in a girlfriend's bathroom collection, and occasionally listened and found him much more entertaining from 99 to whenever he was off of live mornings.
I haven't cared to catch him on Sirius 'cause it seems like a lousy investment for the time I'd be able to listen to the product (likewise the only reason I have an ipod is because I won it. Love it but have a hard time parting with that much money when I have so many CDs and several CD players.)
I equate my non-fandom with maybe someone's non-fandom of say... Yes. No doubt they have chops, but are self-important and just not to my taste.
BTW Duncan - I don't Zappa well either. I've tried, and it's difficult. Actually, I've always wondered why you never appreciated Frank -- I'm always assuming that the VB set (and by some extension Worcester) appreciates lyrics almost next to last about an artist. I assumed you thought he was too noodley rather than shockey.
And Roger thinking Shaw/Blades cool after? Wow.
Is he the kind of miracle worker that can turn you around on, say, Live?
Re: History of Howard
Yeah this should be great! Going to be interesting to see how many hours they run each day and how they break it up.
But this special has been over a year in the making so it has all the makings of a home run. Excited to hear some of his college tapes and anything from his younger years that Ben recorded of him as a kid.
We need something to get us through their 3 week holiday break.
Re: History of Howard
And I will add that I was a very happy Sirius sub yesterday on my 5 hour drive home.
Being able to switch back and forth between Howard and Bubba sure makes the ride 100 times more bearable.
Re: History of Howard
wow this is really good so far. I always dread when they are on vacation but this morning on my drive in I was riveted by the special. Really well done. It's interesting to listen to such long form radio programming. I haven't heard anything like this before.
Re: History of Howard
I'm not a fan of Howard Stern, so my only angle of support for him is in regard to freedom of speech/anti-censorship.
Can you guys elaborate on your excitement about this? I mean, are you excited for the quality of the documentary, the fascinating story, or is it about ol' Howie himself?
I promise not to play "bad cop" on this one. I'm really just curious.
http://www.hatondrinkingwine.com
Re: History of Howard
Quote:
it's a few things; Normally when the show goes on vacation like they are right now, they play old shows. It's not the best, and it's typically when I tune to some music or turn on my iPod. The documentary is interesting for me because it is a very detailed and very well produced retrospective. It is not often, if at all, that you can hear radio that is this long form, each act is about 5 hours long. From just the perspective of someone that likes documentaries it is great. When you add in the significant things that he has done with the medium, it becomes even more interesting. The way the documentary is produced is that they take present day dialog from people that were involved in the history (teachers, grade school friends, college professors, first girlfriend, other dj's) and mix it in with the 30+ years of tape they have where Howard is referencing the stories. The whole thing is produced with music in the background to reflect the time period and a narrator to help you follow along.
Another reason I like it is because I am a huge fan of Howard. Unlike a comedian who tells a joke, the audience laughs and you pass a judgment on whether or not they are any good, Howard is a joke best digested over a long period of time. For me that period of time has been since 1994 when he came on WBCN at night. The more that you listen the funnier the show becomes. There are references and jokes that take place over the course of weeks. It isn't as instantly gratifying as a sitcom or even a typical morning show. Tuning in for a minute here and there just doesn't do it justice.
And another thing that is excellent about the HOW, is that I find it endlessly entertaining to listen to pop culture from the past. Stories about Steve Perry being a dick to him in 1980 in Detroit and parties at a hotel with Van Halen are hysterical, and they have all of that tape. They mix it in with recent commentary on it and the originals.
So far, I am really enjoying it, Act Two is on today.
Hey Now!
Re: History of Howard
As a long time hard core fan of The Show I echo Duncan's sentiment.
This special pretty much provides an in depth and detailed retrospective of the King of All Media from his grade school years to present day. As Duncan mentioned the format they are using is quite nice, interweaving stories that Howard has told in the past on air and adding another layer of depth to them by interviewing those who were there such as his gradeschool friends and the guys he went to Camp Wel-Met with.
Today's episode has had some great stories about his early days in radio at WRNW in Westchester NY and his first days doing morning drive at WCCC in Hartford.
In what other medium can there be a 15 or 20 hour special run over the course of a week that chronicles the career of someone like Howard? YOu might see a two hour special on A&E's Biography, but nothing on this scale.
The fact that Howard owns all his old tapes makes something like this possible.
Also the fact that this special shows how much he struggled to break into radio in his early years and the number of people who told him he had no chance to succeed is a modern day success story that is hard to rival.
Re: History of Howard
I've always been really offended by his Mook personality, trotting out porn stars and stuff.
This led to a conversation with a friend about whether Frank Zappa is any different from Howard Stern. There's a lot of common ground, but some differences, too (I think).
Anybody? Who are other borderline skanks/geniuses?
GG Allin?
Red Hot Chili Peppers?
Aerosmith?
Rolling Stones?
Duncan?
Re: History of Howard
Quote:
This is a common misconception made by people that really haven't listened to him for any length of time. It's the unfortunate consequence to this style of broadcasting. People tune in for a half hour, it happens to be one of the fart joke segments or trotting out porn stars and tune out. The judgment is made and away they go. I don't see him as simple as that. If it was porn stars and fart jokes, I would get bored too. It's porn stars and fart jokes and some of the best interviews and most poignant dialogs I have heard cut in with the longest qweef contest. It's more diverse that people give it credit for.
I don't align myself with Howard or his crews opinions but I respect that they are willing to give them.
Quote:
who could you really compare Howard to? Frank Zappa wrote music. Who does this type of long form humor?
Re: History of Howard
Now it's you who is assuming that I was assuming. I paid attention.
As for the Zappa comparison, I know that their mediums were different, but much of their crude manner, and free speech platitudes were the same.
I like Zappa and I don't like Stern, but the reasons are somewhat contradictory, I fear.
Re: History of Howard
Quote:
I assumed that you weren't paying attention and still think you weren't because you believe that his show is about strippers. I don't want to make him out in to more than he is here, but his show is endlessly entertaining to me and it's so unique that nobody can give me a reasonable comparison for what he does. I appreciate a lot of humor, David Sedaris reading a book about his life is just as funny to me as Howard Stern broadcasting his life 5 hours a day.
Quote:
I don't Zappa well enough to speak about the comparisons.
Re: History of Howard
Matt and Duncan are like the fire and ice on this thread--I'm going to be the lukewarm water.
I am a late-night person, and sometimes fall into the habit of watching late-night shows for long periods of time before I move on. For a period of like six months, I watched the Rush Limbaugh television show, back when it was on, and found it fascinating and repulsive to try and fathom the mind of that fat moron. I did a similar thing with the Howard Sterm TV show for a few months.
Maybe the TV show was different than the radio show, but there were a lot of porn stars, strippers, etc. on there, not to mention people Howard just wanted to make fun of. I wasn't all that enthralled by any of that. However, I did keep watching, and there were occasionally poignant or insightful or interesting segments, which is I supposed what drew me back every night. Maybe listening to him on a more regular basis would reveal more of that stuff, but eventually I found that the amount of worthwhile stuff wasn't enough to keep me watching for the entire show.
Sincerely,
Derek Smalls
Composer of "Free-Form Jazz Odyssey"
http://www.myspace.com/hatondrinking
Wednesdays at Nick's @ 8:00 pm.
Re: History of Howard
Quote:
The E! show, which has been off the air for a couple years now, was produced by E! and took the elements of the show that they felt would get them the highest ratings. The 22 minutes they took of a 4 hour radio show were the more titillating parts. It's not indicative of what the show is like at all.
The show takes a certain amount of time invested before it can be truly judged.
Re: History of Howard
I didn't know the words Daryl Hall and amazing could be used in the same sentence.
Louis, is that legal?
Re: History of Howard
I'll agree with Duncan. The porn star stuff runs almost the same formula everytime (history of molestation or divorce, lesbian story, sybian ride) and that gets old fast, but what seals it for me is the way he gets people to say stuff they would never say (like when he got McCartney to admit that Yoko went to seek him out first and Macca pawned her over to John) or the AMAZING interview with Daryl Hall a couple weeks ago.
Also, I love the staff. Artie, Robin, Sal, Richard, all add something to the show. They bring their real lives into the show, and they all goof on that.
The usual callers are hilarious too, like High Pitch Eric, Eric the Midget, and my all time favorite, Crazy Alice.
It's like one huge joke, with reality firmly in place.
http://elbrendel.blogspot.com/
Re: History of Howard
I missed yesterday's program, but what I heard today was fantastic. It is so well-done.
To add to the "why do I like Howard" sentiment, I think a lot of it has to do with the fact that I've been listening for so long and I know the show so well that it's sort of like an extended part of my family. I know that sounds totally retarded, but it's the same reason that I like to listen to Car Talk on the weekends.
I think Howard gets a bad rap for all of the outrageous stripper crap and the Fartman stuff. I could take or leave any of that stuff, but it's the fantastic interviews that I like, the dynamic between the whole crew, some of the bits that they do are actually really funny.
It seems that any time Howard does something mainstream, like going onto a late-night talk show, he is always the "over-the-top" shock-jock persona that the non-listeners think he is all the time, and don't like. Personally, I don't like that persona either and I am usually dissapointed with his TV appearances. I can't see any non-believer becoming a fan after seeing him on TV.
At the same time that I love the Stern show, I don't like Bubba. I never liked Opie and Anthony. I won't say that they're not funny, but because I never really listen to them, I just can't see that I'd like them. I would have never thought I would like Howard either. I just did.
The Zappa/Stern debate is kind of the same thing. I am only familiar with the few Frank Zappa songs that I'm familiar with, and I only really know him through the Joe's Garage trilogy. I think it got me through puberty, actually. In hindsight, I can't listen to any of that "shocking and dirty for humor's sake" Zappa stuff, as it reminds me of bad 70's porn magazines. Kinda juvenile and stupid. That's how people who don't really listen to Howard think he is. So that sort of proves the point that you either give him a chance and get on board, or you don't and you think he's a juvenile pig.
You're really missing out on Artie Lange, though!
I also wanted to add that Howard's interviews are so unique because he comes from a totally different angle than any other mainstream interviewer. His sports figure interviews are fantastic because he's not a sports fan and he gets these people off their guard and they talk about far more interesting stuff (in my opinion) than what you hear in every other interview. Some of my favorite interviews really changed my mind about certain people. Pretty much all of his interviews are like that. Paul Anka, Sting, Artimus Pyle from Lynyrd Skynyrd, Baby Spice, Lisa Loeb, Daryl Hall, etc. Very interesting interviews. His musical guests are often incredible too. I have a totally huge amount of respect for Pat Monahan from Train after hearing him sing on Howard. Same for Stone Temple Pilots and Hum who both did amazing renditions of songs I might not have cared for otherwise. The Daryl Hall interview a month ago was killer, and the music they played, just him and bass player, T Bone Wolk playing acoustic guitar was really great. I was very impressed. Tommy Shaw and Jack Blades even seemed cool when they were on recently.
I can totally see why non-listeners wouldn't care to invest the time into going out of their way to listen, and I don't blame them. It's probably the same reason that I don't care about reading Harry Potter books or listen to Frank Zappa.
As another sidenote, I couldn't be happier with Sirius! I barely ever listen to "terrestrial" radio, and usually only to tune in to WBZ for the news.
Roger
Re: History of Howard
Rog, Duncan,
thanks for soem new perspectives on a guy I had locked as a clown. I, too, like Jim, mostly saw him on TV, though I tuned into BCN a couple of times, too. I guess, in general, I don't like radio talk shows anyway. My wife tunes into talk radio, and whenever I get in the car, within minutes I'm screaming back at these guys. Two belligerent fools can't very well hold a decent conversation.
I especially liked how you guys commented on longevity - a conversation with the artist - that helps you to overlook certain unflattering traits, much like you would with a friend.
I love Zappa and have heard all his brilliance, so I can overlook the rtasteless, sexist stuff. With Wilco, I can forgive Tweedy's occasionally terrible rhymes and other gaffs, because I'm on board with the bigger picture.
And, Duncan, that's where the Dead come in for me. I hear all the huge, too-often mistakes, but that isn't their point. And, yes, like Roger said, I went in when the window opened, and others I know didn't.
Re: History of Howard
Some people find it strange that I'm not a Howard fan, but I'm not.
When he locally debuted nights (and was number one rated at least once -- in PROVIDENCE) I checked him out and simply didn't hear anything I liked. I had the preconceived notion about the strippers and whatnot, heard a couple of times that he took the really easy way out with disagreeing callers, caught a very pretentious air about him, and couldn't stand not having the immediacy of a live show.
Later that year, I started interning for Liz Wilde and she was a huge fan -- many nights we were doing show work and we had to wait for her to finish listening to a Howard bit.
From there, it was probably 200 times too many from my parents' friends and friends' parents that I heard "You're gonna be the next Howard Stern." when they found out about my career plans. Trailblazer that he was and is, I was just gonna be the first me. I didn't seek him out on purpose from there, and at first I didn't know why. In the past year or so I read somewhere that Kevin B from WAAF doesn't listen to other morning shows -- something about if he doesn't hear something, he can't rip it off.
Of course, that was when I thought I'd be steadily employed and in a position to do new things with the medium myself. I've developed an appreciation for (and somewhat jealousy of) anyone in radio who can stand up for themselves ... ANNNNNNDD keep popping up in new gigs.
That said, I loved a couple of his books that I've found around the house or in a girlfriend's bathroom collection, and occasionally listened and found him much more entertaining from 99 to whenever he was off of live mornings.
I haven't cared to catch him on Sirius 'cause it seems like a lousy investment for the time I'd be able to listen to the product (likewise the only reason I have an ipod is because I won it. Love it but have a hard time parting with that much money when I have so many CDs and several CD players.)
I equate my non-fandom with maybe someone's non-fandom of say... Yes. No doubt they have chops, but are self-important and just not to my taste.
BTW Duncan - I don't Zappa well either. I've tried, and it's difficult. Actually, I've always wondered why you never appreciated Frank -- I'm always assuming that the VB set (and by some extension Worcester) appreciates lyrics almost next to last about an artist. I assumed you thought he was too noodley rather than shockey.
And Roger thinking Shaw/Blades cool after? Wow.
Is he the kind of miracle worker that can turn you around on, say, Live?